{"id":4646,"date":"2022-03-31T12:17:04","date_gmt":"2022-03-31T10:17:04","guid":{"rendered":"https:\/\/www.accrorap.com\/?page_id=4646"},"modified":"2026-03-10T14:47:07","modified_gmt":"2026-03-10T13:47:07","slug":"lequipe","status":"publish","type":"page","link":"https:\/\/www.accrorap.com\/en\/lequipe\/","title":{"rendered":"The team"},"content":{"rendered":"

[vc_row css=”.vc_custom_1769694673411{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1655298999965{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”.vc_custom_1655299013562{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}” accent_color=”#cc171a”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857188459{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654856994034{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1773149801945{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”]<\/p>\n

DANCE<\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857454073{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_column css=”.vc_custom_1654857444183{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”.vc_custom_1655125963431{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}” accent_color=”#cc171a”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1769685909102{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-md-offset-0 vc_col-sm-offset-0″][vc_hoverbox image=”4047″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white” align=”left”]Artiste pluridisciplinaire issu du cirque et des arts martiaux, Yann Miettaux<\/b> d\u00e9veloppe un style explosif remarqu\u00e9 sur les sc\u00e8nes internationales et \u00e0 la t\u00e9l\u00e9vision. Capable de prouesses physiques hors normes, il met son \u00e9nergie brute au service de la cr\u00e9ation. Chez Accrorap, il apporte une puissance athl\u00e9tique essentielle au crescendo.[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650553908093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5598″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white” align=”left”]Figure de la sc\u00e8ne breakdance internationale, Simon Hernandez<\/b> est form\u00e9 par Salim (La Smala, Indigenes Crew).
\nComp\u00e9titeur redoutable et artiste sensible, il allie vitesse, originalit\u00e9 et pr\u00e9cision. Chez Accrorap, il incarne l\u2019essence m\u00eame du hip-hop, transformant la performance pure en une expression artistique totale.[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650554189912{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4708″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]<\/p>\n

Nadjibe Said<\/b> Membre du groupe Original Rockerz, il se forme aupr\u00e8s de Kader Dehdouh avant d\u2019int\u00e9grer le Ballet National de Marseille et la Cie Grenade. Fondateur de la Cie Pour(suivre), il explore une danse engag\u00e9e. Son parcours, entre battles et sc\u00e8nes institutionnelles, apporte \u00e0 Pr\u00e9lude<\/i> une authenticit\u00e9 et une rigueur technique majeures.<\/p>\n

[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1651842082468{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5620″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]Alexia Lambert<\/strong> se forme au Conservatoire d\u2019Avignon en sport-\u00e9tudes. Elle rejoint ensuite la formation contemporaine de la CobosMika Company en Espagne. Interpr\u00e8te et p\u00e9dagogue, elle d\u00e9veloppe parall\u00e8lement un travail de transmission.
\nEn 2026, elle rejoint la Cie Accrorap pour la reprise de Pr\u00e9lude<\/em> de Kader Attou.[\/vc_hoverbox][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1769695959313{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: -35px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4706″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white” align=”left”]Jikay<\/b> Autodidacte form\u00e9 au popping aupr\u00e8s de pionniers (Poppin Pete, Walid), il s’illustre en battle avant de collaborer avec Emanuel Gat et Yan Gilg. Sa danse, nourrie par le contemporain et le th\u00e9\u00e2tre, allie impact, pr\u00e9cision et l\u00e9g\u00e8ret\u00e9. Enseignant et interpr\u00e8te pour Accrorap, il d\u00e9ploie un vocabulaire hybride d’une grande finesse.[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650553908093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4713″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]<\/p>\n

Form\u00e9e au Ballet Junior de Gen\u00e8ve, Aline Lopes<\/b> navigue entre classique et contemporain (Cies 7273, Grenade, Kubilai Khan). En 2024, elle int\u00e8gre la Cie Accrorap pour la reprise de Pr\u00e9lude<\/i>. Sa technique rigoureuse, alli\u00e9e \u00e0 une grande fluidit\u00e9 de mouvement, enrichit la pi\u00e8ce d’une dimension po\u00e9tique et d’une pr\u00e9sence sc\u00e9nique intense.<\/p>\n

[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650554189912{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4703″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]Fid\u00e8le collaborateur de Kader Attou, Azdine Bouncer, <\/b>danseur et chor\u00e9graphe dirige \u00e9galement la Bounce School. Sa carri\u00e8re est marqu\u00e9e par une volont\u00e9 constante de transmission et de dialogue entre les cultures. Dans Pr\u00e9lude<\/i>, il d\u00e9ploie une danse g\u00e9n\u00e9reuse, port\u00e9e par une technique hip-hop solide et une grande humanit\u00e9. Site<\/a>[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1651842082468{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5600″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]Acrobate et cascadeur de formation, Alexis de Saint Jean se passionne pour le break et le parkour. Interpr\u00e8te pour M. Merzouki ou la Cie Hybride, il fonde la Cie Les Al\u00e9as en 2018. Son approche m\u00eale performance et recherche chor\u00e9graphique. Il rejoint Kader Attou pour insuffler \u00e0 Pr\u00e9lude<\/i> une \u00e9nergie acrobatique et singuli\u00e8re. Site<\/a>[\/vc_hoverbox][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1769695959313{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: -35px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5634″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white” align=”left”]R\u00e9alisateur et photographe, Damien Bourletsis d\u00e9couvre le hip-hop \u00e0 16 ans. P\u00e9dagogue, il enseigne et m\u00e8ne des actions culturelles avant de se former \u00e0 l\u2019art dramatique. Danseur (Cies Chriki\u2019z, Accrorap), il poursuit aujourd\u2019hui son travail d\u2019image. Son film Ce qui nous lie<\/em> circule en festivals et, en 2025, il fonde \u00e0 Hy\u00e8res la Cie DBMOTION. Site<\/a>[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650553908093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4663″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]<\/p>\n

Form\u00e9 au popping, Kevin Mischel<\/strong> s’illustre chez Accrorap (The Roots<\/i>). Acteur reconnu, il tient le premier r\u00f4le dans Divines<\/i> (Cam\u00e9ra d\u2019Or) et Break<\/i>, puis tourne pour Louis Vuitton.
\nEntre la s\u00e9rie Netflix Braqueurs<\/i> et le cin\u00e9ma d\u2019auteur (L’enfant du Paradis<\/i>), il m\u00eale avec intensit\u00e9 sa pr\u00e9sence magn\u00e9tique et sa ma\u00eetrise du mouvement.<\/span><\/p>\n

[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650554189912{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5514″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]Danseuse et chor\u00e9graphe form\u00e9e entre Saint-P\u00e9tersbourg et Paris, Ioulia Plotnikova<\/strong> fonde TanZoya (Prix Jeunes Talents Cirque). Collaboratrice de James Thierr\u00e9e et Kader Attou, elle enseigne \u00e0 l\u2019Institut Stanlowa. Interpr\u00e8te pluridisciplinaire au registre riche, elle danse pour Accrorap, alliant cr\u00e9ation, performance et haute p\u00e9dagogie. Site<\/a>[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1651842082468{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5553″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]Art\u00ebm Orlov,<\/b> figure majeure du break international install\u00e9e en France, il allie un cursus sportif universitaire \u00e0 une carri\u00e8re sc\u00e9nique dense. Fid\u00e8le des compagnies S\u2019Poart et Accrorap depuis sa rencontre avec Kader Attou en 2013 (The Roots<\/i>), il multiplie les collaborations et s’impose comme un pilier de la sc\u00e8ne hip-hop.[\/vc_hoverbox][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1651842082468{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5493″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white” align=”left”]Artiste pluridisciplinaire form\u00e9e \u00e0 Cannes, El\u00e9onore Dugu\u00e9<\/b> d\u00e9bute sa carri\u00e8re aux Pays-Bas avant de collaborer huit ans avec Jos\u00e9 Montalvo. Elle travaille aussi avec Art Move Concept et la Cie Linga. Plasticienne, elle dirige le projet Fragments d\u2019Elles<\/i>, o\u00f9 elle lie arts plastiques et danse \u00e0 travers des performances et des expositions.[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857381928{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654857272292{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”.vc_custom_1655126023939{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}” accent_color=”#cc171a”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857188459{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654856994034{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1773149811201{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”]<\/p>\n

MUSIC<\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857454073{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_column css=”.vc_custom_1654857444183{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”.vc_custom_1655126030612{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}” accent_color=”#cc171a”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1769695959313{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: -35px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4714″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white” align=”left”]R\u00e9gis Baillet<\/strong> Pianiste de formation pass\u00e9 par l\u2019\u00e9lectronique avec Ab ovo, il se sp\u00e9cialise dans la composition pour la danse. Collaborateur historique de la Cie Mastoc, il signe aussi les musiques des spectacles de Kader Attou, dont Le Murmure des Songes<\/em>. Son travail singulier lie harmonieusement partition sonore et mouvement. Site<\/a>[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650553908093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4715″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]Romain Dubois,<\/strong> Compositeur et pianiste, explore le lien entre musique et corps pour la danse (Accrorap) et le cirque.
\nSon travail, ax\u00e9 sur la transe et le d\u00e9passement par la r\u00e9p\u00e9tition, s’exprime aussi dans son solo de piano Una Bestia<\/em>. De la Philharmonie de Paris \u00e0 l’international, il d\u00e9ploie un univers sonore puissant et habit\u00e9. Site<\/a>[\/vc_hoverbox][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857381928{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654857272292{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”.vc_custom_1655126023939{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}” accent_color=”#cc171a”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857188459{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654856994034{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1773150088549{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”]<\/p>\n

ARTISTIC COLLABORATIONS<\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857454073{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_column css=”.vc_custom_1654857444183{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”.vc_custom_1655126030612{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}” accent_color=”#cc171a”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1769695959313{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: -35px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4691″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white” align=”left”]Olivier Borne<\/strong> Sc\u00e9nographe et sculpteur, il cr\u00e9e des machineries po\u00e9tiques pour J. Le Guillerm ou C. Diverr\u00e8s. Artisan de la mati\u00e8re, il cherche le d\u00e9s\u00e9quilibre : pour lui, les d\u00e9cors doivent interroger le personnage comme des obstacles. Ses objets, volontairement bancals, extraient le po\u00e8me du r\u00e9el pour servir la mise en sc\u00e8ne.[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650553908093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”4716″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]<\/p>\n

Illustratrice au trait sensible, Jessie D\u00e9sol\u00e9e<\/strong> donne vie \u00e0 un bestiaire po\u00e9tique compos\u00e9 de chim\u00e8res et de plantes fantastiques. Ses cr\u00e9ations visuelles animent la sc\u00e8ne et permettent d’appr\u00e9hender le spectacle comme un voyage enchanteur, faisant de chaque motif une porte ouverte vers l’aventure et l’\u00e9trange.<\/p>\n

[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650554189912{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5561″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white”]Caroline Grastilleur<\/strong> est vid\u00e9aste et artiste num\u00e9rique. Elle explore le spectacle vivant comme un laboratoire. Sa vision de plasticienne lie image et dramaturgie gr\u00e2ce aux nouvelles technologies. Pour elle, la vid\u00e9o\u00a0 est une pr\u00e9sence furtive, une \u00ab musique de l\u2019\u0153il \u00bb qui r\u00e9sonne avec le r\u00e9cit sc\u00e9nique.[\/vc_hoverbox][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857381928{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654857272292{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”.vc_custom_1655126023939{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}” accent_color=”#cc171a”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857188459{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654856994034{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1773150041407{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”]<\/p>\n

LIGHTING<\/h3>\n

[\/vc_column_text][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”” accent_color=”#CC171A”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1769695959313{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: -35px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_hoverbox image=”5563″ primary_title=”” hover_title=”” shape=”square” hover_background_color=”white” align=”left”]C\u00e9cile Giovansili-Vissi\u00e8re <\/strong>collabore avec des figures comme Angelin Preljocaj ou James Thierr\u00e9e. Ses cr\u00e9ations pour Pr\u00e9lude<\/em> et Le Murmure des songes jouent<\/em> sur les contrastes, transformant le plateau en espace organique. Elle utilise la lumi\u00e8re comme une mati\u00e8re vivante qui sculpte le vide, souligne les corps.[\/vc_hoverbox][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650553908093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1650554189912{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857381928{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654857272292{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”.vc_custom_1655126023939{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}” accent_color=”#cc171a”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1654857188459{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column css=”.vc_custom_1654856994034{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1773150117681{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”]<\/p>\n

ADMINISTRATIVE TEAM<\/h3>\n

[\/vc_column_text][vc_separator color=”custom” border_width=”6″ el_width=”40″ css=”” accent_color=”#CC171A”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=””]Administration<\/strong>
\nCathy Chahine
\nadmin@accrorap.com<\/a><\/p>\n

Production<\/strong>
\nH\u00e9l\u00e8ne Caill\u00e9
\nproduction@accrorap.com<\/a>
\nLudivine Leca
\ncontact@accrorap.com<\/a><\/p>\n

Communication<\/strong>
\nDanielle Chaillot
\ncommunication@accrorap.com<\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text css=””]Diffusion :
\n<\/strong>En votre compagnie<\/strong>
\nRomain Le Goff
\nromainlegoff@envotrecompagnie.fr<\/a><\/p>\n

Bridge to Arts
\n<\/strong><\/i>Josep Alcaina
\nRepresentation of Accrorap in:
\nUAE \u00b7 Spain \u00b7 Germany
\njas@bridgetoarts.com<\/a><\/p>\n

Development<\/span> : \u00c9tats d’esprit Productions<\/strong>
\nAnne-Sophie Dupoux
\nannesophie.dupoux@gmail.com<\/a>
\n<\/b><\/p>\n

Press service : ZEF
\n<\/b>Isabelle Muraour
\ncontact@zef-bureau.fr<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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